![]() ![]() Perhaps Stephen King’s best novel, the mammoth 1,000-plus-page It was adapted into a passable 1990 TV miniseries, but it was years before anyone would attempt to bring it to the big screen. Pennywise the Dancing Clown (Bill Skarsgård) brings a special kind of evil to Derry, Maine in It. ![]() ![]() Instead, she enters a world of nightmares.ĭirector Bailey-Bond, whose feature directing debut this is, really sinks into the forbidden world of those old VHS chillers, changing her aspect ratio and using fuzzy FX and stark, bold lighting to suggest menace as well as an increasingly slippery grasp of reality. (Despite all evidence to the contrary, Enid believes her sister is still alive.) So, she tracks down the film’s director, Frederick North (Adrian Schiller), to find answers. While viewing one film, she becomes alarmed by a story of two sisters that mirrors her own life, and the day her own sister went missing. Enid’s job is to go through these “Video Nasties” frame by frame and edit out anything that could be considered morally corrupting. It’s the mid-1980s and decent folks everywhere were afraid of the gore films that had begun infiltrating the home video market, and what their influence might be. Niamh Algar is highly effective as the dewy, wounded Enid Baines, the title censor, who works for the British Board of Film Classification. Prano Bailey-Bond’s Censor is a clever, creeping meta-horror story that recalls a time when the genre was considered dangerous. In the 1980s, film censor Enid Baines (Niamh Algar) goes on a nightmarish quest to find her missing sister in Censor. Her sturdy screenplay-co-written by Jordan Peele-neatly balances discourse with terror, and manages to feel urgent rather than disposable. DaCosta ( Little Woods) uses a hypnotic color and visual palette across the film, including a crafty use of silhouettes for flashbacks. The legend inspires him to create a new art piece, entitled “Say My Name.” Unfortunately, the monster is summoned once again-played, as always, by Tony Todd-and begins to create fresh havoc. Rather, it takes the old story and traces a new path through it, asking questions about art, storytelling, appropriation, gentrification, and the Black Lives Matter movement.Īn artist, Anthony (Yahya Abdul-Mateen II) learns about the legend of the Candyman, who terrorized the Cabrini–Green housing projects decades earlier. Nia DaCosta’s Candyman (2021) is something more than a reboot, remake, or another sequel. While inspired by Clive Barker’s 1985 story “The Forbidden,” the original Candyman was released in 1992, followed by two sequels. (Changed your mind? Check out our lists for best thrillers on Netflix, best comedies on Netflix or best action movies on Netflix if you'd rather go for a different genre, or even just the best Netflix movies if you can't decide.Anthony (Yahya Abdul-Mateen II) finds artistic inspiration in a terrifying old legend in Candyman. Unless otherwise stated, the movies are available at the time of writing on Netflix in the US and the UK. Here's how! We've trawled the service and collated a list of some genuinely excellent horror movies available to watch on Netflix right now. You can pretty much guess that The Conference isn't going to be a masterpiece, but when you're flipping through reams of similar-looking straight-to-DVD horror, how can you tell which will be corkers? We know Netflix is brilliant, but its user ratings are extremely unreliable, which makes it tricky to find a great horror movie to watch. If you don't fancy a Christmas horror movie, then we're here to help with the best horror movies on Netflix - as recommended by the movie experts at Digital Spy. We might be in the festive season, but it doesn't mean you can't watch a horror movie. ![]()
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